THIRD CONTACT

 

Third Contact Media was formed in 1995 to manufacture and re-issue the Synergy® albums to the public. The World Wide Web has provided a perfect outlet to distribute what the mainstream record industry would consider a niche product. The Web also brings access to Synergy recordings to parts of the globe that never had proper distribution the first time around.

The name Third Contact refers to the stage of a solar eclipse where the light of the sun is just beginning to emerge from behind the moon. It seems appropriate. The logo design was executed by fellow synthesist/composer Wendy Carlos from original photographs that Wendy had shot during her alternate career as an eclipse chaser. Wendy composited and tidied up the image using Adobe Photoshop® on a Macintosh computer. I sat in the back seat giving encouragement while Wendy did the tough work.

Third Contact is a growing label. In addition to the Synergy reissues, Third Contact also has in its catalog the current release by former Private Music recording artist Joy Askew called "Gorgeous Creature" (3CR-1050, released July, 1997).

SYNERGY recordings on Third Contact are manufactured and distributed by Universal/PolyGram's Chronicles label. CDs can be bought through most record stores or a number of online sources.


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HOW TO BUY THIRD CONTACT CDs

HOW TO GET CDs Go to the HOW TO GET CDs page for a list of online retailers and how to contact them.




business mail address:
THIRD CONTACT
PO Box 425
Berkeley Heights, NJ 07922 USA
email:
synergy@eclipse.net



For setting up commercial sale quantities of CDs outside of the United States and Canada please reach Third Contact at the addresses above or call
Sound Choice (908-647-2650; fax: 908-647-2651). This is also the contact point for inquiries about licensing SYNERGY® music for third party uses in other media.



A LITTLE HISTORY




From 1971 through 1988 Jem Records, Inc. was one of the world's largest importer/exporters and distributors of records. Building on a business of importing and distributing British albums into the United States Jem grew to have office and warehouse locations from London to Los Angeles with the home office in South Plainfield, New Jersey. Jem evolved into a publicly traded company conducting millions of dollars in business each year.

In 1973, Jem in association with Sire Records launched Passport Records in order to manufacture and release records from within the United States. The Passport label eventually grew to become the Passport Records Group which included the original flagship Passport label, Passport Jazz, The Audion Recording Company, and several other diverse labels. Larry Fast/SYNERGY was the first US act signed to the new label.

For a variety of reasons too complex to go into here, the Jem Records distribution division found itself in financial difficulty in the mid-1980s. Though the Passport Records Group was consistently profitable, the parent company was unable to stay afloat and the entire corporation was shut down.

After Jem Records went out of business at the end of 1988 taking Passport Records and The Audion Recording Company with it, there was no longer any legitimate release channel for the Synergy recordings. When the Jem assets were liquidated, all of the records in their warehouses were sold off to the cutout market. Fortunately (or unfortunately depending on your perspective) there were not many Synergy records warehoused and a very small portion of those were CDs. There were only several thousand copies of each Synergy title when Jem/Passport/Audion turned out the lights for the last time.

The actual ownership of the intellectual property rights to manufacture and sell new copies of the Synergy albums was in dispute until 1994 when the rights clearly reverted to my production company Synergy® Electronic Music, Inc. During the years between 1989 and 1994 I was contacted quite a few times by labels around the world that wanted to sign Synergy to their company. But after the experience at Jem I wasn't inclined to subject the Synergy recordings to the complete control of another company; no more conventional artist signings for Synergy. But I still wanted to make the Synergy recordings available again; Third Contact provides that outlet.

The first Synergy re-release, Electronic Realizations for Rock Orchestra went into distribution on the web in mid 1995, the twentieth anniversary of the original release. The second re-release Sequencer was reissued late in 1996, followed by Cords in the summer or 1997. During 1998 manufacturing and distribution was licensed to Universal/PolyGram's Chronicles label. All nine of the original Synergy recordings were reissued through Chronicles during 1998. <HR NOSHADE>


 

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© 1997-2003 Synergy® Electronic Music, Inc.

This page was last updated on August 14, 1997